Somehow back in April I missed this lovely review of Peninsula Sinking from Jeremy Gilmer at The East. It’s one of the most thorough and thoughtful reviews the book has received. Gilmer describes the stories in PS as “rooms full of wonder that will play tricks of light with our hearts and heads,” adding that there “are forests behind this first sight of treeline, and I welcome the dark journey.”
In other recent news, I’m quite tickled to have a story included in Best Canadian Stories 2018, edited by Russell Smith. The volume features stories by some writers I’ve long admired, including Lisa Moore, Stephen Marche, and Lynn Coady. There’s talk of a Toronto launch on November 15th and I, for one, can’t wait to nervously skulk the outskirts of this crowd.
What a thrill! Peninsula Sinking got shortlisted for two Atlantic Book Awards: the Jim Connors Dartmouth Book Award and the Alistair MacLeod Prize for Short Fiction. This means I get to go to a gala (which means I have to buy a new pair of dress shoes). I’ll also be doing a reading at Garrison Brewery on Wednesday May 9th. Needless to say I’m thrilled for this little homecoming excursion, and to be among such fine company on the ABA shortlists. When I think of recognition, I think of people back home. Maybe I’ll toss a copy of PS off the harbour to celebrate.
Peninsula Sinking has gotten some really great coverage since it came out in February. I’m grateful to Atlantic Books Today for a robust and thoughtful review by Donald Calabrese, who writes that the book demonstrates “one of Canada’s most promising talents.” I’m also thankful for Shelagh Rogers for having me on to discuss the book on CBC radio’s The Next Chapter. I’m also very please that Dionne Codrington interviewed my for CBC books’ “How I Wrote It” series.
And what better place to take the book on tour than the titular Peninsula! I’ll be in Halifax for readings March 13 & 14th (Halifax Public Library and TBA–get in touch on Twitter if you’re interested). After that I’ll hit the isthmus Fredericton area March 15-16 to do a reading and a workshop through Words Feast literary festival.
I’m really excited to reveal the super snazzy new cover (thanks Biblioasis!) of my short story collection, Peninsula Sinking, which is launching this September. Can’t wait to get my hands on this bad boy! I’ve just finished working over the proofs and should be getting advanced copies before too long. I’ll be launching the book in Hamilton, Toronto, London, and Windsor, alongside fellow Biblioasis authors Kevin Hardcastle, Alejandro Saravia, Cynthia Flood, and Pino Collucio–super excited to read all of their new books! Here are the dates and times for the book launches:
Tuesday, Sept 19 @ Bryan Prince Books in Hamilton (Doors 6:30 PM, Readings 7:00 PM)
Wednesday, Sept 20 @ The Garrison in Toronto (Doors 7:00 PM, Readings 7:30 PM)
Thursday, Sept 21@ Attic Books in London (Doors 6:30 PM, Readings 7:00 PM)
Suture, the third and final story featuring Gavin, my electric wounded picaro, has been published as part of The Puritan 36. It’s been really rewarding working with Puritan editor Tyler Willis on this cycle of stories, all of which have been published by The Puritan and are now set to appear in Peninsula Sinking, my fiction collection coming out this fall with Biblioasis. My life right now mostly consists of furiously editing and frantically second-guessing and trying to make the book the best it can possibly be. So it’s nice to have this story out there naked and exposed to the world, for better or worse. Thanks to all the lovely volunteers at the Puritan for their vigour and commitment and care.
Happy to report that this flesh-hued beauty is now available from Frog Hollow Press. If you’d like a copy, contact me, co-author Andy Verboom, or Frog Hollow. Or, even better: come out to the official launch, this Tuesday at The Steady in Toronto (1051 Bloor West) at 8 p.m. Andy and myself will be reading, as will poets Carl Watts and Chris Johnson, whose contest-shortlisted chapbooks are also fresh out from Frog Hollow. Full Mondegreens is a formal experiment in the misheard lyric. It was damn hard work to write and I’m thrilled to have this lovely, fleshly book object in my grubby clutches at last.
It’s been a wild, teetering year for me and I continue to be overwhelmed by my good fortune. It turns out that judge Hoa Nguyen has selected my poem, “Colloquium: J.T. Henry and Lady Simcoe on Early Ontario Petrocolonialism,” as the winner of The Walrus‘ 2016 Poetry Prize. I am, of course, overjoyed by this news–what a way to get my first publication in a major national magazine I have long read and admired! I’d like to use this space to reiterate my admiration for the other poems on the short list, to congratulate Adèle Barclay for her well-deserved win of the Readers’ Choice award, and to thank judge Hoa Nguyen for selecting “Colloquium” and Walrus Poetry Editor Damian Rogers for passing the poem along. As someone who’s had a lot of luck with contests lately, I remain crucially aware of the contingency involved in such affairs. I’m grateful that people responded favourably to the poem and that it will have the opportunity, in The Walrus, to find many more readers.
What a thrill! My poem, “Colloquium: J.T. Henry and Lady Simcoe on Early Ontario Petrocolonialism”, has been named to the shortlist of the 2016 Walrus Poetry Prize. If you go to The Walrus, you can vote for the reader’s choice award. “Colloquium” is a found erasure dialogue composed using fragments of two public domain texts. The poem arose from my current research into the history of oil in Ontario, research I’m doing for a future fiction project on this fascinating and little-known legacy. (The first commercial oil well in North America was tapped by James Miller Williams in 1858–who knew). I’ve been drunk on oil lately, and I’m happy that dark intoxication has burned into a poem I’m proud of.
Unbearably happy to report that my short fiction collection, Peninsula Sinking, is now under contract with Biblioasis. I’ll be fine-tuning the stories over the next few months with editor extraordinaire John Metcalf, whose work as both an editor and a writer I deeply admire. The book will be in print some time next year, likely fall 2017 or spring 2018. Needless to say, I’m ecstatic that the book landed at Biblioasis, its ideal home. I’ve been eagerly reading recent Biblioasis short fiction collections by the likes of Trillium winner Kevin Hardcastle, Jack Hodgins winner Kris Bertin, and Giller-nominated Kathy Page, and I’m excited–if a little intimidated–to add my work to this catalogue. I’m also deeply grateful to all the friends, writers, agents, editors, and teachers that have helped me out along the way.
After unplugging from internet for a 10-day trip to the Sunshine Coast in mid-August, I was thrilled to find out that my poetry chapbook Full Mondegreens–co-authored with the endlessly talented Andy Verboom–won first prize in Frog Hollow Press’s chapbook contest. This chapbook is my most formally ambitious poetic endeavour, and I have to credit Andy with inventing the “Mondegreen” form and inviting me into his mad scientist poetry lab to experiment with it. A spinoff of homophonic translation, the mondegreen pushes the institution of the misheard lyric (“cross I bear” –> “cross-eyed bear”), translating a poem back into itself through a refracted sound map. That might sound complicated, so here’s an example: “Do not go gentle into that good night” –> “Doom wrought surrender in the catfood fight.”
The chapbook is due out late 2016, and, given the lovely book matter Frog Hollow creates, I’m super excited to get my hands on it.